When childhood is lost ... Marillion and Mispaced Childhood.
Es una deliciosa mezcla de rock, con progresivo y pop, lo que le da una cualidad disfrutable y de sencillo acceso. Cuando los álbumes musicales tienden a ser complicados, se requiere de un esfuerzo adicional para que quien escucha se adecúe a las sensaciones emitidas. En el caso de Misplaced Childhood de Marillion, es tan fácil como darle “play”.
But we go in parts.The art rock or progressive, is a type of rock that arises based on currents such as jazz and blues, of greater structural complexity and with which complete conceptual discs are made;That is, those who used all their songs to tell a single story or theme, such as The Wall by Pink Floyd.Some others are considered "rock operas", as Tommy of The Who.
Dentro de este tipo de influencia entra Marillion, banda inglesa formada en 1979. El nombre es un derivado de The Silmarillion, libro póstumo de J. R. R. Tolkien, con cimientos en su obra de El señor de los anillos.
The group had a golden age, which included the singer and songwriter known as Fish (Dirck William Dick).The harmony between its parts existed for a while and gave as fruit one of the great jewels of the 80’s music: Mispaced Childhood.
La placa se publicó el 17 de junio de 1985 y es considerado uno de los más grandes discos conceptuales de la historia. Como muchos de ellos, también se puede disfrutar por partes, como los sencillos “Kayleigh”, “Lavender” y “Heart of Lothian”, para los que no se necesita seguir la historia completa.
As its title indicates, Mispaced Childhood is an album that talks about losing innocence, of the very essence that leads us to be what we are, to the loves that are born, to those who are lost;Everything, with a social and political environment.
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Love is an important piece and one of the aspects that most mark the human being.Fish sings to Kayleight (name derived from a real girlfriend): “Kayleigh, is it too late to say what I feel?And Kayleight ... can we argue it?I can't just pretend that everything came to its natural end.Kayleight, I never thought I would miss you and, Kayleight, I always thought we would be friends.We said that our love would last forever, so, why did it reach this bitter final? ”.
Con la siguiente canción, “Lavender”, el curso de las cosas mejoran, pues nos muestran al amor cuando este resurge: “Caminaba en el parque, soñando con una chispa, cuando escuché los rociadores susurrar, brillar en la neblina de los céspedes de verano. Entonces escuché a los niños cantar, corriendo a través de los arcoíris; cantaban una canción para ti, la que yo quise componer para ti”, y termina: “encontraré mi camino de vuelta a ti, por tu amor… por tu amor; siempre camino en el parque, siempre sueño con una chispa, para ti”.
Not everything is literal in Mispaced, because from "The Bitter Suite", the narration takes on interpretive value and with European regional symbolisms as in the "heart of Lothian", located in Scotland, where Fish is originally.
Although the lyric content is tangled, the musical issue flows and is an album that cannot be heard after one or two songs.
With the end of the winding trip, Marillion gives us its conclusion: childOf the wounds, you can continue forward, renewed.
At that time, Marillion was made up of Fish in La Voz, Steve Rothery on guitar, Mark Kelly on keyboards, Pete Trewavas with the bass and finally, Ian Mosley on drums and percussions.
Content music and proposal is what we find in this great eighties album, Mispaced Childood de Marillion, which turns 35 years old.
